Growing up in England, you're sort of spoiled, in a way. You sort of take it for granted that within a half-hour's drive, you could be walking around a stately home from the 1700s. It's not very hard to do - in California, you've got to take a flight!

I find it easier to approach things from a critical angle that otherwise may seem daunting because I'm used to being scared.

I love learning things, whether it's a language or Philippine knife-fighting or the Viennese waltz.

I think that what drives most of us as human beings is the want for something. You might have a hope, or a big dream, or a goal that you haven't yet achieved.

I'm a provincial. I live very much like a hermit: reading, listening to music, working in the cutting room, writing, commercial work - which doesn't take up that much time.

The older I get, the more interest I have in writing other kinds of music.

Back then, I was an acoustically-oriented artist. Honestly, 'Poetry Man' wouldn't have been my first choice.

I saw an early cut of 'The Disaster Artist,' and I thought it was inspiring in a lot of ways, and it made me realize it had been so long since I had tried to make a film or to try to - you know, the book was obviously my first kind of big creative pursuit I had control over.