Kodak has always represented innovation that is approachable while delivering the craft of filmmaking.

I imagine a future with no waste; material innovations have already become exponentially more vast, and I do think the future needs to be cradle to cradle. If designed properly, one product could be used for many years before needing to be recycled, or its components reused.

I know it's a cliche, but I see myself as a citizen of the world. I was brought up in Switzerland by German and Turkish parents but I've very much grown up in San Francisco. I have a European sense of aesthetic, but I'm also deeply steeped in the notion of change and entrepreneurship that is associated with Silicon Valley.

Design certainly has a cosmetic, aesthetic aim. It always aims at making things beautiful. But relevance is just as important. I often say, 'If it isn't ethical, it can't be beautiful. But if it isn't beautiful, it probably shouldn't be at all.'

What was really interesting to me about 'The Telegarden' was this idea of connecting the physical world, the natural world, and the social world through the Internet.

I do think there should be some regulations on AI.

We are having Internet Governance discussions and meetings and a very large number of people are discussing the future of the Internet who have no clue as to what the Internet is except that it is important and that they have to be involved.

I think technology can change every country regardless of political party.