I'm at this point in my career where I'm trying to step away from the realm of fine arts, because I think it's a very exclusive, very restrictive place to be. What I want to be able to do is to change the lives of people with the same materials they deal with every day.

I think most people have creative ideas and have very strange, unorthodox impulses of things that they can do with their lives. I've had many of these over the years, but I decided the more important question was, 'When did I start calling this art?'

My first job in Brazil was actually to develop a way to improve the readability of billboards, and based on speed, angle of approach and actually blocks of text. It was very - actually, it was a very good study, and got me a job in an ad agency. And they also decided that I had to - to give me a very ugly Plexiglas trophy for it.

The first five minutes in Gramacho is really overwhelming because all of your senses are being attacked. Visually, too, because your eyes move and see fragments of things you recognize, but not quite, so it's very artistic. Your eyes are moving, then there's the smell, and the noise is unbearable.

The disgraces I suffer should be attributed to me, but the praises that I get go to my family and teachers. It is they who decided what I would become.

People who choose not to have kids do so because they respect the job of parenting so much that they know not to take it on if they know it's not something that they're up for, and I don't know what to be a bigger tribute to parenting than that.

In this room we're all here together, but there's probably a lot of different views, people sitting here thinking, I don't own any slaves, all the slaves are dead. Why am I responsible? My family were immigrants, too.

Poverty was my mother's midwife. She had her children in poverty. But she also found a road to bring us a sense of purpose, and she taught us how to be valiant in the face of oppression.