You can have a lot of destruction, but in a realistic female movie, the women are going to be aware of that destruction and apologizing for it.

I have felt that there's a lot of receptiveness to female stories now. I think some of it has a little bit - a lot of it is economically driven and driven by, just, kind of studios wanting to check that box because now they know they have a woman problem that they need to solve.

I didn't have a lot of men to ask questions of when I was starting out. There were two female directors people suggested I talk to when I was starting out, and they were Nancy Meyers and Kathryn Bigelow.

I feel like most movies about female friends derive their conflict from an extension of the high school movie rivalries, or there's some petty grievance: a competition over a guy or a wedding date or something. And I don't relate to any of that.

I would like to work in both comedy and drama.

I don't think comedy is something you learn. I think it's something that's either there or it's not.

I honestly believe life is a combination of laughter and tears, and it's almost always better to laugh than to cry.

Greg the Bunny,' the comedy television show that I co-created, happened almost by accident. Dan Milano, Spencer Chinoy and myself made a public access show that caught the eye of IFC, and it has had three incarnations since then with a season on Fox.