Growing up, you have all these ideas, and then you're confronted and faced with the real world for the first time. And you have to think of what you want your life to be.

We have a strong tradition in Toronto of really great film writers, and growing up in that climate is a big reason I pursued cinema studies.

My grandmother is British. She was in the Women's Auxiliary Air Force during World War II. That's where she met my grandfather, who was sailing for the British Royal Navy. She was a war bride.

My grandmother was British and in the Women's Auxiliary Royal Air Force in World War II.

I'm relaxed about my career. I've been making movies for over 20 years, so I've earned at least the right to relax.

I am more excited about 'Divinity of Doubt: The God Question' than any other book in my entire career, and I've had seven New York Times bestsellers, three of them reaching number one.

Anybody who has wanted me to go out there and pull some emotion out and act like we are going to get down, that's what I specialize in. That's fine. That's something that I do, and that's something that I've done over the breadth of my career. With Brock Lesnar, regardless of who he is, it was going to be no different.

There's some freedom that you get with indie films that you don't get with the big-budget ones. There's just a different style. I hope I can switch back and forth for the rest of my career, but I've kind of grown up on indies, and there's nothing better than working with these directors so closely and and being such a huge part of the process.