People understand the simplicity of violence, and martial arts has always been about the more efficient way to deliver said violence upon an adversary. I've kept that philosophy as the focal point of what I do.

I think, for an artist, when you're drawing somebody who actually exists, it's a much steeper critical curve, as there is an actual representation of that person out there. You can't just interpret it any way you want.

You may not like the way I deliver the truth - you may take umbrage with the way I handle most of my conflicts - but that's the way I do business.

The biggest thing here in WWE is that if they see some really valuable qualities in you, they're really going to do their best to maximize them and put you into the scenarios and into the situations where that's going to make the most impact. For me, they've definitely done that.

I want to get my MBA. I want to create my own business. When I'm finished with football, I want a seamless transition to life and work and what I've dreamed about doing all my life.

In my career, all my most important breaks have come from Edinburgh. Winning awards, being reviewed, bagging my BBCR4 series and the chance to tour has all come from Edinburgh, which begs the question, why the hell have I left it so long to come back?

No matter who you are, no matter what your color, creed, how you choose to pray or who you choose to love, that if you are an American - first generation or fifth - one who is willing to work hard, play by the rules and apply your God-given talents - that you should be able to find a job that pays the bills.

My participation in the Art of the Olympians is a natural extension of my athletic career. I find creating a piece of art in many respects mirrors my long jumping efforts illustrating that hard work and inspiration will always be the foundation for success.