People understand the simplicity of violence, and martial arts has always been about the more efficient way to deliver said violence upon an adversary. I've kept that philosophy as the focal point of what I do.

I think, for an artist, when you're drawing somebody who actually exists, it's a much steeper critical curve, as there is an actual representation of that person out there. You can't just interpret it any way you want.

You may not like the way I deliver the truth - you may take umbrage with the way I handle most of my conflicts - but that's the way I do business.

The biggest thing here in WWE is that if they see some really valuable qualities in you, they're really going to do their best to maximize them and put you into the scenarios and into the situations where that's going to make the most impact. For me, they've definitely done that.

Even if I don't have a successful film career, at least I am a popular name on TV. I always see the positive side of things. You do feel negative at times, and even humiliated, but if you keep thinking about that, then your life won't move forward.

Iraq's Sunnis need to be brought back into the fold. They need to feel as though they have a stake in the success of Iraq rather than a stake in its failure.

I got snubbed about eight times for the Mid-Summer Classic, and I know what type of career I had, and I know that I'm a true All-Star. The selection process is not very accurate.

If I feel like I've done a great job during an interview with the president of the United States live in the Oval Office, it doesn't give me a tenth of the good feeling of going to the school play and making eye contact with my kids as they're onstage delivering their lines. Nothing compares with that moment of connection.