When I was growing up, there were no women in orchestras. Auditioners thought they could tell the difference between a woman playing and a man. Some intelligent person devised a simple solution: Drop a curtain between the auditioners and the people trying out. And, lo and behold, women began to get jobs in symphony orchestras.

My mother told me two things constantly. One was to be a lady and the other was to be independent, and the law was something most unusual for those times because for most girls growing up in the '40s, the most important degree was not your B.A. but your M.R.S.

I was tremendously fortunate to be alive and a lawyer, working at a university so I had more flexible hours, when the women's movement was coming alive and when it became possible to argue successfully for a view of the equal protection clause that included women.

The concern was that if a woman was doing gender equality, her chances of making it to tenure in the law school were diminished. It was considered frivolous.

Biographers use historians more than historians use biographers, although there can be two-way traffic - e.g., the ever-growing production of biographies of women is helping to change the general picture of the past presented by historians.

Once you get everything out of your head about what everybody else is going to think, will radio play it - and I hope they do, I really do - once you shed all of that and just be who you are, that's who I am. That's taken a lot of growing up. I've come into myself musically and as a woman, and I hope to keep growing. If you don't grow, you die.

What I'm going to do is I will eliminate everyone in the comms team, and we'll start over.

When you grow up on film, people sometimes have difficulties accepting the fact that you are growing up. They always imagine you younger.