If brands can find a voice that matches them, and the artist embraces it, they can find a way that would serve them that doesn't feel like a sellout to the artists and has dramatic impact for the brand.

We've got to be proactive. It's my job to look for unconventional situations that achieve what my clients want.

TV is still the place to grab the most eyeballs.

If you look at professional baseball in New York, you can get all 162 Yankee games on television anytime you want. But people still go to the ballpark because they are two different experiences. It's the same with film.

If you look at, you know, the limitations of creating new products, you're only limited by the technology that you have to work with.

One consistent thing in an otherwise inconsistent career is that I've always been passionate about parliament.

I began my career performing in plays and musicals in New York, but by the mid-'80s, opportunities in Hollywood beckoned and I made the move to Los Angeles. It was a good decision. Work took off, but most important, I met my family out there - my husband, Bill, and the children we would adopt: Elijah, Mae-Mae, and Aron.

Technology is transforming how we hold ourselves, contorting our bodies into what the New Zealand physiotherapist Steve August calls the 'iHunch.' I've also heard people call it 'text neck,' and in my work, I sometimes refer to it as 'iPosture.'