I do want to play characters that have redeeming qualities, that are likable, for sure, and I have in the past, and I will again.

It's great to work in film and TV, and I love it, but there's nothing that can replace that instantaneous storytelling you get in theater.

Acting is a hard way to make a living, and there's a kind of dark, somewhat seedy side to the whole aspect of fame and celebrity that's not really something I would want for my child - or want him to want, if that makes any sense.

If there is a reason I'm able to make unsympathetic characters human, it's because it's my desire to find what drives the unsympathetic behavior. Almost always at the bottom of it is some deep insecurity. Putting your finger on what each individual's particular insecurity is goes a long way to fleshing that person out.

My father grew up in West Texas, in Lubbock, and I've got family here, and I grew up a Dallas Cowboy fan all my life.

I think of myself as Rebecca Wells from Lodi Plantation, in Central Louisiana, a girl who was lucky enough to be born into a family that encouraged creativity and didn't call me lazy or nuts when I dressed up in my mother's peignoirs and played the piano, having painted a small sign decorated in glitter that read 'The Piano Fairy Girl.'

I want people to take the initiative to find veterans that need help, veterans that are suffering and in need of assistance reintegrating from combat back into society, into normal family lives and jobs. We need to take a real 'boots on the ground' approach to helping veterans in need.

This baby comes out of you and there's no handbook. They hand you this child and say, 'Don't kill it. Feed it, clothe it and shelter it.' I never knew what that kind of love was. I remember looking at my daughter for the first time and wondering if that's the way my father looked at me.