What's really great about Buddhism is its rational, informal quality. Coming from my experience of growing up a Catholic, I found Buddhism to be refreshingly easygoing and forgiving.

One of the things I've learned over the years is that you only do what you can do as an actor. You do the best job you can, but you have no control over so many elements that are going to determine the outcome of that film. I never pay attention to what happens after.

One thing that everybody told me about directing was, 'Never compromise'. And the whole job is a compromise. So it's very paradoxical. How do you not compromise when the whole thing is about compromise?

I've always liked Southeast Asia a lot. It's a wonderful place, an easy place. People are great, there's a lot of history and culture, and I like the serenity of Buddhism there. It's very beautiful. I find that to be a very nice place to visit.

There's something about Southern women that is so unique yet so universal. Strong southern women are allowed to be soft and feminine and have a sense of humor. But what I love about Southern women in particular is their universality.

I very rarely laugh. I remember I used to have a joy at comedy. I remember going to see Sean Lock for the first time live, just in some comedy club when I was 18, and again, just guttural, pure laughter. I didn't know what he was doing; I couldn't see the tricks.

We don't appreciate the value of humor sometimes.

I went from an unemployed actor's life to doing stand-up comedy, and that was fortuitous. It's not the usual way the crow flies, going from being in a TV sketch show to playing one of Shakespeare's finest characters, but, hey, that's the way it has happened.