I've finally reached a stage in my career where I can do what I want.

You have to have honesty to the product. You have to meet consumer expectations. You give them value for their money and give them a product that they need. I don't see anything wrong with all these things. And I don't think it's a bad thing to meet consumers' expectations.

I had done 12 little romance books, and I decided I wanted to move into crime fiction.

What I realized halfway through writing romance is that you start out intuitive, and you make all these choices mostly based on yourself and what you like and what talent you have, and... if you want to have any quality control over your product, you have to stop being intuitive and start being more of an analyst.

I like to spoof the original Gothic classics, so there is also good dose of comedy in the 'Parasol Protectorate' - giggling readers are good.

My experience is at The Groundlings Theater, where we created different characters and did sketch comedy. And sometimes the characters were outrageous, but they always came from a real place. So even working there, we had to create characters from the people that we knew.

I left Indiana, and I ain't been back since. I've been doing comedy and paying my bills.

Comedy is so hard; it's so much harder than drama. The pacing of it, the energy of it.