In general, fashion is decorative, it's protective, it acknowledges that the world does involve conflict, and you might be attacked by assumptions, presumptions, and attitudes.

Every mind is a clutter of memories, images, inventions and age-old repetitions. It can be a ghetto, too, if a ghetto is a sealed-off, confined place. Or a sanctuary, where one is free to dream and think whatever one wants. For most of us it's both - and a lot more complicated.

When innovations become habits, prescriptions, they must be imagined all over again, made new.

My mind is stuffed with quotes. Lines, couplets, paragraphs, stanzas; Bessie Smith, Stevie Smith, Tin Pan Alley, rock and roll. They tease or lead or hurl me into a dream space of jostling languages that I need to bask in each day in order to write.

People don't believe or understand that a community can lose hope. You can have a whole community where hopelessness is the norm, where folks don't have faith that things will get better because history and circumstances have proven over 30, 40, or 50 years that things don't get better.

I feel as though I would be delighted to come back into working in the film world, and working in the theater world again. I'm just gonna see what happens.

I have an art magazine about drag called 'Velour,' named after myself, and I have a monthly show called 'Nightgowns' that curates and presents some of the most creative and high-quality drag in a professional theater setting.

I feel like you are allowed in fiction to embrace imagination and try to enter other worlds. And I feel like you should push yourself to try to persuade your reader that you have the authority to engage with people who, you know, lived in the past, who live in the future, other genders, other places, other cultures.