Just to be nominated, and especially as a new artist and a female artist, is a feat. Winning anything is just a bonus.

There's Kelsea Ballerini, myself... Lauren Alaina, Raelynn, and there's been this influx of really amazing artists who happen to be women. I think I'm not really attached to the females in country conversation as much anymore, but I think, you know, we're here to stay, and we've always been here, and we've always been good.

I care about women's rights and reproductive rights and my gay friends being able to keep their marriages official. You don't want your genre to disown you for it - and I don't think they would now - but you still see that sort of hatred and vitriol that comes with disagreeing with the conservative agenda.

Ever since the Dixie Chicks, the female perspective on country radio has been love songs. I love love songs, but we do have more to talk about, so it's nice that other perspectives are coming back.

We have been talking about public engagement for a decade. For me it is about recognising that the mission of science has to be embedded within our culture - the direction in which science is going has to be determined by all of us, and so we need a dialogue with the public.

The methods and tools of science perennially breach barriers, granting me confidence that our epic march of insight into the operations of nature will continue without end.

I find the science behind major natural events almost more interesting than the way in which those same events wreak their effects on human society.

I hope I've lived a life of science whose style will encourage younger people.