I can create as many programs and mentorships and scholarships as I want, but it doesn't change the environment in which our youth are growing up in.

I'm learning the process of changing things. I'm not really sure where this is going to take me. But I know what I want before my career is over: I want people to remember me as someone other than a guy who just tackled people.

To be in a situation where you have another year on your deal and the team still wants to extend that - they see your value, they want you in the building, and they want to build around you - that speaks volumes. That's very, very important to a player like me.

My goal is to use football as a platform to speak out on things that need addressing.

In my early career I was like a goldfish. Rejection didn't affect me; I'd just forget how bad it was and keep going back for more.

Typically my ideas come to me in the most inane ways possible. I had the initial idea for 'Quantum Conundrum' while I was walking down the street to get breakfast. People are like, 'Whoa, what's your inspiration, is it something amazing?' No, I was just really hungry.

Sometimes I can sit at my computer and find a cool sound, or a new synth patch, and get super-inspired by that and make a track based on that sound. But the piano is where I find the inspiration and come up with the melody.

To my mind, 'Dear Brutus' stands halfway between Shakespeare's 'A Midsummer Night's Dream' and Stephen Sondheim and James Lapine's 'Into the Woods'. Like them, it is a play about enchantment and disillusion, dreams and reality.