When I graduated from college, I moved to New York and started doing improv because I read all about the early 'Saturday Night Live' guys having come through Second City and learning how to improvise, so I wanted to get immediately into that.

If I do a bit on stage, I prepare too much. Those bits are all really, really carefully written, and overwritten, and researched. I really don't feel like I can wing it. So I write it out word for word, and when I'm onstage I'll improvise around it.

It's so cliche, but I love the feeling you get from improv that anything can happen. The audience is already accepting that there are no props or costumes or furniture, so the performers can be anywhere doing anything; cut from underground to space, and it doesn't matter.

I love to play characters who are stuffy and nerdy who either then have a dark side or are pushed to a breaking point.

I don't mind going from sadness to comedy in a split-second or mixing the two up.

I've always liked outrageous comedy and pushing the envelope.

I don't think I could compare myself to Macaulay Culkin, because we're pretty much two different kinds of actors. He's done a lot of comedy. He does mostly just comedy like 'Uncle Buck' and 'Home Alone' and 'Home Alone 2.' And I've done a lot of different stuff, like sad movies, like the movie about the kid with AIDS.

I'm from a small town in North Carolina and went to a small college and didn't think that someone like me could make a living in L.A. doing comedy. I worked hard, especially in college, but at that age, you don't know what's next.