You can get stuff done in New York that you can't in Los Angeles. If you wanted to get some milk and get your shoes repaired and drop something off at the dry cleaner, that's an all-day adventure in Los Angeles. In New York, you can bang that out in half an hour.

Acting is a job of permission. Someone has to give you permission to do it. But I have started to be like, 'I only want to do things that I want to do,' and writing has afforded me the luxury.

Sure, I considered myself an anarchist; I considered myself - I still am, obviously - distrustful of the government. But I also understand the virtues of civility or democracy and kindness, of course. I wasn't throwing garbage cans through shop windows.

I read a lot for me. But I'm not one of those people who gets 'The New York Times' book review and runs out and buys 10 books and is done with them and passing them out to friends, you know, two weeks later.

Working with David Gordon Green, and Jonah Hill, and Michael Cera, and Drew Barrymore, and all of those people - those are the best people in comedy to work with. Anna Faris. You know, that's my goal, to keep learning and to just keep working with the best people I can. And yeah, we do all hang out, and we all kind of know each other.

I still have a desire to do some sketch comedy. My dream is to be on 'SNL,' to host 'SNL.'

No one understood why I would wanna be behind the camera, not in front of the camera, and so no one took me seriously, and people said, 'Oh, well, this is just a hobby isn't it?' and I said, 'No, I really love this. I wanna make this my career,' and I did not have a lot of support at all for many years. People just kind of thought it was a joke.

A joke's a very serious thing.