Acting is a job of permission. Someone has to give you permission to do it. But I have started to be like, 'I only want to do things that I want to do,' and writing has afforded me the luxury.

Sure, I considered myself an anarchist; I considered myself - I still am, obviously - distrustful of the government. But I also understand the virtues of civility or democracy and kindness, of course. I wasn't throwing garbage cans through shop windows.

I read a lot for me. But I'm not one of those people who gets 'The New York Times' book review and runs out and buys 10 books and is done with them and passing them out to friends, you know, two weeks later.

If you chase fame, you make bad choices. Being famous isn't interesting.

One of the most enjoyable things I do at Government House and when I travel around Australia is to talk with children. I tell them about our parliamentary democracy - and I often do that as I'm walking into an Executive Council meeting next door!

My 'Rot & Ruin' series is a post-apocalyptic adventure for teens. My 'Joe Ledger' novels are science-based action thrillers for adults. My 'Dead of Night' stories are zombie tales for adults; my 'Pine Deep Trilogy' is classic horror for adults, and I've written nonfiction books on topics ranging from martial arts to folklore.

I made my personal discovery of Emily Carr while visiting Victoria in 1981 to write a travel article. Immediately, her strong colors attracted me; her spunk fascinated me. Her down-to-earth voice in her writing appealed to me as authentic and original.

The obvious thing to me was, let's take freely floating masses in space and measure the time it takes light to travel between them. The presence of a gravitational wave would change that time. Using the time difference, one could measure the amplitude of the wave.