The way I relax is I think, 'I haven't got anything coming up.' I like to know there are months ahead when I've got nothing.

I felt my mother about the place. I don't think she haunts me, but I wouldn't put it past her.

I was always someone who lived in the future all the time, it was always the next thing - dreams of escape.

Sixty felt like a big landmark. Not in a dreadful sense, but none of the other birthdays have bothered me. It's got labels on it - OAP, retirement - and I just wanted to take stock. I wanted to be in my greenhouse at home and at least give myself the opportunity of not working again.

I once was in a project. They were going to do a remake. Somebody started a rumor I wanted more money. I said, 'This is ridiculous. I'd kill for this project!'

Capital structure isn't an eyeshade economic thing: It's about your ability to protect your workforce and your service levels.

Parents realize their wealth should be used for social good rather than children's good.

You can get money and make a really cheap movie. You can, from independent financers who are just giving you money to support artists. This is what was happening in the '90s, and I was very fortunate to be a part of that.