For me in my twenties, working in Hollywood was confusing in that the differences between what was fiction and what was nonfiction seemed to blur in my mind. Everything became a visual memory for me. I carried my Leica camera, giving opportunity to take pictures from my view.

What is Southern California but an ever-changing dreamscape backdrop for the postmodern ideal? The psychology of the postmodern world is the continual state of change as we live in its idealist manufactured dream, built by developers.

Meeting everyone you wanted to know in the small surf industry, I saw how the surf trade was made up of characters that not only surfed, but were able to develop a business out of their relationship with their product and the ocean.

While 'The Endless Summer' poster was designed at the Art Center College of Design in the contemporary style of its time, the image grew out of my relationship with Rick Griffin and our deep relationship to surf images.

Spending time on the floor is really important. It's great to work out of an office, but working the store gives you contact with the customer.

I obviously want to win a grand slam, but whatever I do, however long I play, I hope I sustain a really long career, a healthy one, just a pretty consistent career. I obviously want to win a grand slam.

I've never been over-dramatic in my whole career.

I love Australia and loved growing up here, and that's something I don't want to deny our children, but it's difficult sustaining a career in Australia.