For me in my twenties, working in Hollywood was confusing in that the differences between what was fiction and what was nonfiction seemed to blur in my mind. Everything became a visual memory for me. I carried my Leica camera, giving opportunity to take pictures from my view.

What is Southern California but an ever-changing dreamscape backdrop for the postmodern ideal? The psychology of the postmodern world is the continual state of change as we live in its idealist manufactured dream, built by developers.

While 'The Endless Summer' poster was designed at the Art Center College of Design in the contemporary style of its time, the image grew out of my relationship with Rick Griffin and our deep relationship to surf images.

My life in Hollywood surrounded by celebrities became a point of view for me - sports, fashion, music, film, arts, and politics as a media play.

I was fired at the pinnacle of my career, on my 39th birthday. And in the year that followed, I learned that there are many psychological phases of being 'let go.'

In my short acting career, I've been in incredible relationships with incredible women.

I didn't have a good time with Lancashire in 2000. Probably I'd played too much cricket and should have taken a rest, but I went there when the offer came because I had always had an ambition to play the county game in England. And I was a bit jaded. And I didn't do myself justice. I want to put that right before I finish my career.

My father was a corporate lawyer. He went to work in a suit and tie. He had a secretary. He left the house before seven A.M. His professional life felt generic, like a backdrop, a signifier more than a life: office job.