When I very first started out, I had that arrogance of youth.

Everyone knows in the industry that when these great roles come up, every two years, there's a huge number of people up for them. I'm not one of those top five females that can personally finance any film.

The highest pay cheque my mother ever received funded the building of a nursery school in Shepherd's Bush - the school cost well over three times the money she donated to the making of the film 'The Palestinian.' Unsurprisingly this always goes unmentioned in the press.

OK, I wasn't as successful as, say, Julia Roberts, but I'd spent years in a very respectable career, some big American films but a host of other smaller, really exciting, maybe experimental films, being paid rubbish but working with fine people, that was what I thought I was known for.

To be an entrepreneur in Europe, there is a stigma attached to it. There's a reason why England is known as a nation of shopkeepers. Part of it is the idea that it's better to have a shop and keep it up and running than close the doors and try to do something much more significant.

I'm a stand-up comic. I'm always doing dates; it's just that, if I'm working on a project or I'm busy, I can't get out on the road or book any shows. Since the beginning of my career, I'm usually out for at least 10-15 dates throughout the year. If I have time, then I try to get at least 30-40 dates.

I always knew I was going to do something with music, but with my whole family being in the business, acting was something that was just mine. But when I was 20 or 21, I started writing songs and felt the itch to make a record.

Honestly, I don't think I'm a good promoter. I spend almost zero time or effort asking new readers to sample or purchase my work. That's not the job of the author. We should write our best material and leave it up to readers to spread the word.