When I was growing up, I, like many Jews, cheered what appeared to be the receding of faith from everyday life. The further religion got from our lives the better our lives would get, I thought, because persecution had been such a burden to Jewish families for generations.

I grew up in the age of discount air fare, and for me, the act of joining a culture was a great way about learning about that different culture. So I grew up in the South, and went to college in the North, and found out that I learned about myself as a Southerner by leaving the South and going to the Northeast.

I grew up as a fifth-generation Jew in the American South, at the confluence of two great storytelling traditions. After graduating from Yale in the 1980s, I moved to Japan. For young adventure seekers like myself, the white-hot Japanese miracle held a similar appeal as Russia in 1920s or Paris in the 1950s.

When faced with a challenge, happy families, like happy people, just add a new chapter to their life story that shows them overcoming the hardship. This skill is particularly important for children, whose identity tends to get locked in during adolescence.

When I was 12, I played the Artful Dodger in Cameron McKintosh's production of 'Oliver!' when it came to Toronto. Just getting the role shocked my whole family, and I don't think I realized until then just how much I loved getting up in front of people and performing.

My culture comes from everywhere. I'm sick of this notion of nationality, that if you're brought up in the same city or same country you're the same. Even three kids brought up in the same family with the same genes, they are not the same. Just consider a human a human.

My father was a very big musical influence on me. He was a trumpet player. And that's what I started with. Then, when I was 7, my parents introduced me to the piano.

Our family get-togethers are about the stories such as my uncle who walked across the Indo-Burma border, or a woman who gave birth in a ship carrying refugees etc.