If there's anything Trollope novels always take seriously, it is money - how it flows from one character to another, how it is managed, who has it, who deserves it, and what it means to a character, male or female.

One of the profound effects of economics in our day is that the people with the money and the power have embraced the guilt-free, external-less, everything-will-turn-out-okay-in-the-end philosophy of economics in order to justify their own evil works. And the economists, for the most part, have sucked up to that money.

I have reared, or helped to rear, five children and the scariest bit, bar none, is the learning-to-drive part. It has filled me with anxiety not only about the children, but also about my former self and my friends.

Another thing I learned is that novels, even those from apparently distant times and places, remain current and enlightening, and also comforting.

Queen Victoria did not regard art, letters, or music as in any way springing from national character: they were something quite apart, elegant decorations resembling a scarf or a bracelet, and in no way expressive of the soul of the country.

As for Tenacious D, of course it could work as a full length movie; all it requires is a great writer and great director with an ability to think outside of conventional film comedy.

Flannery O'Connor is my creative hero. I think she's the greatest American writer. Her book, 'Mystery and Manners,' is my creative bible.

When there's writing that you really trust, it's very freeing as an artist.