I was a very observant child. The boys in my books are based on boys in my neighborhood growing up.

What interests me is what children go through while growing up.

I have lovely memories of Los Angeles in the 1930s. I came down to live with my mother's cousin and they invited me to come and go to junior college for a year.

In my grammar school years back in the 1920s I used my ten-cents-a-week allowance for Saturday matinees of Douglas Fairbanks movies. All that swashbuckling and leaping about in the midst of the sails of ships!

Since I was the solo artist as well as the writer for the songs, I figured I had enough credits on it already.

I've always liked this idea that writing should comfort the afflicted, and afflict the comfortable to create trouble. The value of a work of art can be measured by the harm spoken of it. If you're not feeling that, then absolutely, why bother?

I think sound and vision are all vibratory emanations... it's the way the soul flowers: art and music.

I lived in Scotland a long time, and I became aware of Mogwai really from the beginning. They seemed to be fusing hard music structure and sort of raw sonics. They're just very creative thinkers, musical thinkers.