Even though I can't dance, that's, like, the one thing I wished I could do growing up. I used act like I was MJ, doing the moonwalk, tip toes, leg kick, all that.

Growing up in Highbridge was real. Me and all my friends, we never really went to any other places in the Bronx but Highbridge. We always just stayed in Highbridge. It was like territory, to be honest, because Highbridge is like a town.

I want people to really recognize that this is what I am naturally good at: I'm really good at making music and describing your feelings vicariously through my experiences, through my past and my future. I want people to relate to me in multiple ways and be versatile in my music.

Partnering up with the Monster Energy Outbreak Tour marks a milestone moment in my career.

How do you convince somebody to host a stranger for the weekend? That's not a trivial thing. It's not something I think you can throw technology at, marketing at, or sales at. We threw design at it because that's all we knew, and in doing so, I feel like we brought a human touch to it, which is so needed.

In an age of social media and content being key, it's important to change the mold where you have $100,000 to $150,000 for one video. I hired some guys that are young, just out of college, and we used some new, far-less-expensive cameras and technology to make videos.

Children who use the Internet are much better informed than when I was young. Use this to your advantage.

If technology and communications can adapt to people's modern lifestyles, then why can't our labor laws follow suit? Private-sector businesses continue to live under an outdated federal mandate that says the only way to compensate for overtime is through cash wages.