Yeah, I've played a lot of instruments, and I played in a lot of bands growing up, and I've even had to play music in a lot of films that I've done.

A lot of the time with child actors, you get the feeling they're trying to have a kind of poise or presentation that's beyond their years that might be put on, but also might be because they've spent years just hanging out with adults and they don't even have a sense of what it's like to grow up with kids their own age.

I'd grown up loving English films. I was a huge Monty Python fanatic as a kid.

I guess I've always wanted to push the boundaries as an actor.

My father used to say to me, 'The only limit to your success is your own imagination.' I actually believed that - like, I'm still coming to terms with the fact that I might not be an Olympic figure skater.

I like endings that let your imagination do a lot of the work.

Every artist will one day face the moment when he or she is doing what he or she does after the style has passed and the art-world heat-seeking machine has moved on.

Whenever I think about movies, I always look at that art process as having the best of a lot of worlds. Because if you watch a great film, you have a musical element to it, not just on the scoring, but in the way that the shots are edited - that has music and rhythm and time.