Willem de Kooning is generally credited for coming out of the painterly gates strong in the forties, revolutionizing art and abstraction and reaching incredible heights by the early fifties, and then tailing off.

When I criticize Joseph Beuys or Francis Bacon, nobody calls those opinions anti-male. Putting female artists or their subject matter off-limits is itself sexist and limiting.

Artists working for other artists is all about knowing, learning, unlearning, initiating long-term artistic dialogues, making connections, creating covens, and getting temporary shelter from the storm.

The New York gallery scene being as incredibly overpopulated and overmoneyed as it is, deep conflicts and contradictions aren't hard to find.

I was brought up in a very open, rural countryside in the middle of nowhere. There were no cell phones. If your lights went out, you were lit by candlelight for a good four days before they can get to you. And so, my imagination was crazy.

Choreography and creativity - it's my matrix; let's see where we can move.

Ah, the creative process is the same secret in science as it is in art. They are all the same absolutely.

If you grow up in Britain, you just do Shakespeare. If you go and work in a theater once or twice or three times in your life, you're going to end up doing a Shakespeare, because he's obviously such a brilliant, brilliant writer.