I think everything should be in verse. 'The New York Times' should be in verse.

Verse comedy is interesting to me because of the challenge of writing in rhymed couplets, which is not a form that's usually amenable to English, yet to me it gives great possibility for comedy.

Writing a play, you start with less, so more is demanded of you. It's as if you have to not only write a symphony, but invent the instruments as well.

With my plays, when the lights go down, at least the audience isn't thinking, 'Oh, God, two more hours of this.'

We're not at a point in time to be taking chances with children and young people in the church. The Holy Father himself said... there is no room in the priesthood or religious life for someone who has abused a child. I think he's right.

The first 10 years of my professional life had only to do with running away from my father. He was a wonderful cabinet-maker, and me being the eldest son, I had to take over his shop, his profession and so on and so on. I tried to escape by going to art school and then going on to industrial design and then interior design.

I think what draws people into 'Supernatural' is that when all is said and done, and the ash from the various apocalypses settle, it's about the brothers. Even though there's cool fights in this and cool special effects, and there's superheroes... in the end, it is about family. Two families: the family by blood and family by choice.

It's not just the number of friends you have, and it's not whether or not you're in a committed relationship. It's the quality of your close relationships that matters.