Eddie Redmayne
Actor United Kingdom 1982–present
63 quotes in the archive
Main topics
About Eddie Redmayne on QuoteByQuote
Browse 63 quotes by Eddie Redmayne — copy lines for captions and speeches, or turn any quote into a shareable image with our quote image generator.
What an extraordinary thing it can be, love, how it will not defined by gender, by sexuality, by race, by religion, by anything. It's something else. It's something other.
In England, we have this saying about Marmite: people either love it or hate it. That's like a lot of the movie work I've done. People either find it repulsive or find it really interesting and get engaged in it.
And you can't complain about kissing Emma Watson. Isn't that what everyone in the world wants to do? I've known Emma for a few years. She's this amazing capacity of young and vibrant and brilliant, but also a bright, intelligent old soul.
I always try to describe making movies like summer camp, or some holiday where you spend all day, every day with a new group of people whom you kind of love and then never see again.
That's the reality of my life - I do normal things and then get to go to film festivals and wear borrowed clothes and turn up at premieres and talk about things I am passionate about. But then you click back to normality and your family and friends.
Eddie Redmayne
What I love about acting is trying things and screwing up, then trying again, all in this protected little bubble. That's living the dream.
The question of what it is to live an 'authentic life', that's a complicated one.
If you are playing someone living, it is a different type of judgment. However much work you do, it is not a documentary. There will be things you can't get right, and ultimately, you have to take a leap because - you weren't there.
When I was living in New York, I had this slightly wannabe bohemian existence and took up painting, at which I'm appalling. I also bought several guitars.
Eddie Redmayne
I suffer from a more complex, persistent fear. It manifests itself in nerves, and on film the camera sees even the tiniest evidence of this. So you have to learn that when the director calls 'Action,' you don't go to this place of tension, but somehow you become free.