Cecil Taylor

I am not afraid of European influences. The point is to use them, as Ellington did, as part of my life as an American Negro.

When you think about musicians who are reading music, my contention has always been the energy that you're using deciphering what the symbol is is taking away from the maximum creative energy that you might have had if you understood that it's but a symbol.

Fats - very funny man, but every note that he played was like a pearl.

The first record I made, when I listen to it, I understand. I understand perfectly well why certain musicians were unhappy with me. I had to decide: was I unhappy with me? I liked it. If they didn't like it, it was on them.

I'm saying that people who are enmeshed in situations of subjugation and have to live, have to find ways to project their dignity as human beings - in spite of all the efforts of those around them to degrade them - I'm saying that this music is the manifestation of the dignity in the life that has always been present.

When you play, when you perform, it might be for the last time, so you got to do it.