Vicky Krieps

The way I grew up, I had hippie parents, and we would run around the garden with no shoes on, very close to nature. So I never wore little princess dresses. I still have this feeling whenever I wear a very formal dress; I always have this slight fear that people will point their fingers at me and laugh: 'Vicky is trying to look like a lady.'

I don't call myself a method actor, but the thing is, when you meet Reynolds Woodcock, who is always Reynolds Woodcock, you kind of are Alma, and you kind of become Alma all the time. I think after the first day, Vicky was going, 'Oh gosh.' It was so intense, and I couldn't understand why it was so intense.

It was like putting your foot into a pond and knowing that I wanted to dive into this. It wasn't even just acting. It was this medium, film. I had to explore it.

I'm always interested in projects. Whatever I do, I'm interested in the color of the material. I'm not interested in who's making it. I'm more concentrated on the work.

I stood in front of a mountain and was overwhelmed by the beauty and energy; I had goosebumps. I thought, if I could record this feeling, go back home and pour it out again so other people can have that feeling, this I would want to be my work. I knew it was acting - I wanted to be like a messenger or medium.