Sonny Rollins
Musician United States 1930–present
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But if I didn't have to make money, I would still play my horn.
Sonny Rollins
What I can say is that for may years jazz musicians had to go to Europe, for instance, to be respected and to be sort of treated not in a discriminatory way. I don't think there is anything controversial about me saying that. This is just a fact.
Many jazz artists go to L.A. seeking a more comfortable life and then they really stop playing.
There have been many great musicians that, Clifford Brown is one great example, I mean he died very early, 25.
It's all about creation and surprise. It just needs to be appreciated and watered like flowers. You have to water flowers. These peaks will come again.
I think we are in the midst of this period where we are committing this suicide on the planet and everybody is just using up all of our natural resources like a bunch of insane people. That's what I worry about more than I worry about jazz.
I have always been a person who is concerned with the dignity of jazz music and the way jazz musicians have been treated and are treated, and the fact that the music has not been given the kind of due that it deserves.
Even the most jingoistic person would have to admit that even American cultural music comes from Europe. That's what classical music is, real European music.
I miss playing with Miles. I did play with him a little while before he left the planet, but even at that time I longed to maybe do some things together.
Europeans really provided many venues over there and hailed the jazz artists, and a lot of musicians went over there and stayed over there for a long time. A lot of them moved over there, lived over there, and died over there.
I enjoy playing clubs. I still enjoy the closeness of the nightclub venue. However, after a certain period of time and after playing around some of the clubs in New YorkI felt that jazz should be presented in a more prestigious atmosphere.