Miriam Toews

A person might see that I've blurbed a certain book and decide they want nothing to do with it! Like, 'If that reprobate Toews likes it, forget it!' So, it's a crapshoot. But it feels good to be able to praise a book that I love or that has been written by a new writer.

The theme of sisters - of missing sisters, of needing sisters, the special love that sisters share or the antagonism sisters share - is something that is very close to me.

Cue for Treason,' by Geoffrey Trease, radicalized my young girl brain and made me want to be a gender-bending, sonnet-writing anarchist. It really made something roar to life inside of me.

A writer is always, always searching, even against her will, against all her better instincts, for the thread of a story. Everything is fodder. Everything is fuel. You can feel it coming on like the tingling of a sore throat. The brain never stops struggling to reshape every experience and feeling into a coherent narrative.

The writing life is one long, never-ending search for narrative. Well, it's not even a conscious searching. It happens even while you're busy buying groceries and when you're fast asleep. It's a curse.

At one point in my life, I wanted to do a master's degree in Irish literature, but I ended up getting pregnant instead.

The whole notion of pain, and how every individual experiences pain, is up for debate. We don't know how another person experiences pain - physical pain or psychic pain. Some of these clinics where assisted suicide or euthanasia is practiced, they call it 'weariness of life.'

In writing fiction, I can be free. I can use my life. The raw material is my experiences.

There are so many things in my life that would be completely not on within the conservative church. And yet I think of myself as a reasonably decent human being. With all sorts of flaws, you know, but still reasonably decent. If I did believe in Heaven and Hell, I would really, honestly, believe I was going to go to Heaven.

I stare out the window and reflect on the similarity between writing and saving a life and the inevitable failure of one's imagination and one's goals and ambitions to create a character or a life worth saving.

I would never want to deny my Mennonite background and culture; I'll always feel like and be identified as a Mennonite and therefore possess that little extra authority on our beliefs. I also see myself as a Canadian writer.

Canada has, at times, represented itself as a country in a valiant struggle against powerful and menacing agents that are indifferent to its special practices and sensibilities - most especially American culture. It's the old, outdated garrison mentality.