Josh Tillman

I get sick pleasure out of going on the Internet and reading about how much people hate me.

Laurel Canyon is kind of grotesque. It's this nature-themed place, and everybody is kind of angry.

What a crazy coincidence that the teaching of Christ sees to be so compatible with late-era capitalism, suburban isolation, rampant consumerism. And so I am not ever surprised when I see evangelicals contort themselves to justify supporting Donald Trump.

When I was young, I had this contrarian thing, and my music for a long time was an extension of that. I didn't want to entertain people; I had too much vanity to be an entertainer. I think that some layers of vanity came off.

My last album as J. Tillman, 'Singing Ax,' that was really a premeditated death rattle of the aesthetic precedent I had set. I realized I wasn't creating spontaneously; I was enforcing all these parameters. I was too self-loathing or something, and there was this obvious dissonance between my conversational voice and creative voice.

You know, there's an economy in lyric-writing that doesn't afford you, or at least me - I usually start off with nine or 10 verses and then boil it down to two or three that are half the length of the original verses.