Jonathan Franzen

When I finally gave up any hope of doing anything representative of the American family, I actually seemed to have tapped into other people's weirdness in that way.

One reason that birds matter - ought to matter - is that they are our last, best connection to a natural world that is otherwise receding. They're the most vivid and widespread representatives of the Earth as it was before people arrived on it.

The radical otherness of birds is integral to their beauty and their value. They are always among us but never of us. Their indifference to us ought to serve as a chastening reminder that we're not the measure of all things.

I had a brief period of questioning whether I should perhaps adopt a child. And my New Yorker editor, Henry Finder, was horrified by the notion.

s one of the perversities of the age: I'm embarrassed by its success, but I'm happy it's selling.

There used to be rather serious firewalls between the artist and the buying public - the gallery, the publisher. And technology demolishes that wall and basically says, 'Self-promote or die.' And that is a bad head for any sort of artist to be forced into.

The technology I like is the American paperback edition of 'Freedom.' I can spill water on it, and it would still work! So it's pretty good technology.

I used to think it was hard to write, and I still find the process more or less unpleasant, but if I know what I'm doing it rattles along, then the rewrite whips it into shape rather quickly.

I am not somebody who goes around saying men are superior or that male writers are superior. In fact, I really go out of my way to champion women's work that I think is not getting enough attention. None of that is ever enough. Because a villain is needed. It's like there's no way to make myself not male.

It's not surprising to see in my own work, looking back, and in the work of some of my peers, an attention to family. It's nice to write a book that does tend toward significance and meaning, and where else are you sure of finding it?