Our understanding of history goes awry when we only tell one part of the story.

One of the beautiful parts about Hamilton is it takes these figures that we've always revered as figures of antiquity and there's real blood flowing through their veins. There's real conflict. There's real life.

Hamilton' is as hard a job as anything I've ever done. It's equally rewarding, but it's very taxing. It's just so hard physically and emotionally to do it, and it just empties you out.

I approach most every job that I do with some sort of team ideal involved.

I grew up one of six children with working-class parents in the Deep South. My mother was a college librarian, and my father worked in a shipyard. I never saw them balance a checkbook, but they kept a roof over our heads and got all six of us into college.

I'm really excited that the studio is trying, because when I began my career in the early '90s, late '80s, Disney was not something - though I respected it and liked what they were doing in those years - it's not like I thought I wanted to be a part of that studio right now.

The greenest home is the one you don't build. If you really want to save the Earth, move in with another family and share a house that's already built. Better yet, live in the forest and eat whatever the squirrels don't want.

Like many people, I had the powerful experience of being raised on Dr. Seuss, then becoming a parent and revisiting him with my own children. That multigenerational experience around his work is very meaningful.