Because of all the various people who've come in and out and brought along ideas, I've been on a learning curve throughout all these years. Of course, everyone that's been involved has influenced me as well. And I'm grateful for that.

I think partly the problem with Yes - and I've had this discussion with people from the Hall of Fame in the past - is that it's going to be difficult to decide how many of the members of Yes you're gonna put in it and how many you're not because of the extensive membership of the band through the years.

The band will be going along, and somebody or another will say, 'I want to go off and do a solo career.'... They come back, and other people come in.

The Beatles had a six-year career, from 1963 to 1969, which - to me, in my early 20s - seemed like a phenomenally long time.

Creativity is down the tube. And people give a lot of lip service to individuality. I know they all appreciate it, but they all say they would like to do it, but they don't want to work at it, and it doesn't come out of the sky.

I've long been an admirer of Philip French's way of writing as well as his knowledge of films. He was one of the few critics to be aware, and make audiences aware, of the work of people on a film set other than the director.

I must confess that my imagination refuses to see any sort of submarine doing anything but suffocating its crew and floundering at sea.

I got into writing to become a 'Star Trek' writer. I was a rabid fan. I had shelves and shelves and shelves of action figures in my bedroom that scared away more dates than I care to admit to.