I think I've lost that ability to slow things down - that ability drivers have to calculate what's coming by you at tremendous speed. I used to have it.

After I got back my career and my artistic freedom in 1982, my golden rule is the music must never suffer.

I live halfway between London and the airport, which means I can operate my European career and get home every night. It costs a lot of money, but it's worth it.

I do have this big weakness: I over-cooperate with people. People say it's because I'm Irish-Italian from Middlesbrough, and me dad was always like that, y'know - 'Get the job done.'

Analyze This' is a good movie because Robert De Niro and Billy Crystal are really good. But without the material to put on the play, of course, they couldn't be good. For me, it starts with the writing. I always think that the writer is doing the vast majority of the director's work, in a sense.

My mom's a children's television writer, so I was involved and around from a very young age. When I was eight, I did my first film with Rachel Ward and Bryan Brown, who are a quite well-respected Australian producer-director duo, and that just changed my whole perspective on what I could do in life and be.

Games are the way we keep romance alive. They're based in human hardwiring. Playing hard-to-get or leaving a little to the imagination allows the woman to be wooed and appreciated and the man to be challenged and intrigued.

I knew I wanted to be involved with theater or film in any way I could, either as a writer or director or actress.