I don't fly by the seat of my pants. I set strategies, and then I pursue those in unrelenting fashion.

What I worry about the most is the competition for young eyeballs. We have so many other competing forms of media. I don't take any audience members for granted.

If you are not breaking rules and you are not taking risks, you are not going to end up with movies where there is discovery... and, to me, that is the magic of going into the cinema.

I do think we're in a period of time culturally where there is just this extraordinary connection that we have to our pets, and in many ways, they are displacing kids. They're so much simpler than dealing with a kid because of this unconditional love that does not get complicated by adolescence or any other manipulation.

It's great extremes which leads to great drama and great comedy.

Like hitting a baseball, comedy is very much about timing. To some degree, you either 'got it or you don't.'

When I was 15, I was asked to do 'Cyrano de Bergerac' at school, and it fundamentally changed my life. It's obviously an extraordinarily diverse and potentially electrifying part. It's a big leading part, and I hadn't really played anything like that before; I was the one doing the comedy side bit.

I don't think Latino; I think like me. If that happens to be Latino, then I guess that's me. But it doesn't affect my comedy in any way.