If you sit down among hundreds of thousands of albatrosses in a field, pretty soon you'll be completely surrounded by them, as they come walking up toward us and nibble on our shoelaces and just look right at us out of curiosity.

Activating is about changing people's perceptions of overlooked or invisible spaces. A building can become an archetype, invisible, like for a New Yorker, for example, the Statue of Liberty. You look at it, and it disappears into the thousands of times you've already seen it.

I crave to be able to photograph the way a painter paints - in a loose, expressive way.

I find myself walking these lines. Like I might be an artist, but I also might be an activist. And I'm trying to be both in a way that honors both and doesn't stray too far into either.

Our laws need to reflect the evolution of technology and the changing expectations of American society. This is why the Constitution is often called a 'living' document.

We are able to use technology to make it clear that someone's car is available or a room in a home is accessible; that there is an available desk in an office someplace.

The technology is really where all of the changes have taken place, but the fundamentals of a good story being the basis of every good picture, and really the only basis still remains the rule, more so today, I think, because we've unfortunately weaned an audience from birth to kind of mindless movies.

When mom and dad were at the height of their careers, and things were super-crazy, and they couldn't leave their houses, there wasn't social media. It was all about autographs. Now, everyone's the press. I feel fame is perforated: it can be glorious, but it can completely destroy a human, too.