I never would have thought I would be able to learn as much as I did from Blake Shelton, so I want to open up the doors to working with people that might not make sense on paper, collaborating with different artists like that, because you can never stop learning. That's the most important thing.

There are so many ways to get involved with 'The Voice.' There is the open call, which tons of people are from. Of the people that you saw that made it past the Blinds, the majority are from open call auditions. They went through every round before you see the Blinds. But weirdly enough, I received a phone call.

I don't have the biggest range on Earth, obviously, and I feel like people give me a lot of flak for that, but I don't really claim to have a big range.

I think Dido's really cool. I feel like she kinda tapped in - back in the late '90s and early 2000s - she tapped into the ''90s-does-'70s' vibe.

I remember getting out of acting school and friends of mine talking about, like, 'You know, I don't think I'm gonna do TV.' Like, people putting on these airs of being picky. And I was never a snob about it.

When people ask me what I miss most about the game, it's being in the locker room and getting to know the guys. Back in those days, we had roommates. We had to talk basketball and that was a great way to understand the game itself and form those lasting relationships.

I'm committed as governor to valuing and nurturing our relationships with our friends to the south.

I don't have stylistic loyalty. That's why people perceive me changing all the time. But there is a real continuity in my subject matter. As an artist of artifice, I do believe I have more integrity than any one of my contemporaries.