I do try not to dwell on the past too much, because I have a tendency to do that, and as I've gotten older, I've gotten very good at distancing myself from shoulda, woulda, coulda.

I grew up in an environment where it was permittable to use violence to solve a problem. But it was not permittable ever to call the police under any circumstances. That was the kind of doctrine of my household. My dad was a career-long criminal, and you weren't calling the police for any reason.

You go through this business and you meet people that you bond with, and you get to go make movies with them. It's wonderful. What I've always dreamt of, in my career, is to have a brotherhood of collaborators, and go in and out of working with them. I'm just starting to get that, and it's really lovely.

In the early part of your career you are always compared with somebody until you can stand on your own two feet.

The reason I did fashion was it was the only way to get paid to do anything creative. You couldn't support yourself as an 'artist' - I hate that word. The only way you could be 'arty' was as a fashion photographer, because it still had a certain amount of integrity involved.

I see a lot of art; we see a lot of music, films at Sundance... that influences me and informs me more than theater just because I make a bigger effort to see other art forms.

I've seen the government up close and personal, and for the most part, it's inefficient and hidebound, and it stifles creativity in any industry it clutches within its well-meaning but slimy tentacles.

In TV, film, and music there's a lot of snobbery, and I don't like it. I've never been a cultural snob.