We haven't evolved a hero story that's female. We're always trying to fit women's stories into this male structure, which is this rising action, this powerful conflict, and this falling action. And I think a female hero story is not that. It's something else.

I've never felt terribly attached to acting because I always feel like the world is really big and really interesting, and there are a lot of places that I can put my energy and be fulfilled.

The women I know are smart, interesting people who aren't just there to service the men's stories, so I don't know why our art continues to do that.

I have my three brothers, and then I have my adopted sister from El Salvador, who is actually the oldest. My brother and I were already born, and then my parents adopted my sister from El Salvador during the war and had two more kids.

I can honestly say - not proudly, but honestly - before I had a child, I would see things on TV or hear the news, feel sad for the people and move forward with my day. Now I see everything through a mother's eyes.

I don't see my family often enough, but when we do catch up, it's somewhere new in the world. They get to travel more than they would if I wasn't doing this sport.

I can pinpoint the exact moment when I first began to think about what profession I should go into. It was 1978. I was seven and had just been handed over by the women of my family to the earnest and self-important gatherings of the men. I was no longer the responsibility of my aunts and older female cousins. I was now a man. This was a tragedy.

I work six months and get three or four with the family. I've stopped racing to get to the red light.