There is a particular whir of agitation about female hunger, a low-level thrumming of shoulds and shouldn'ts and can'ts and wants that can be so chronic and familiar it becomes a kind of feminine Muzak, easy to dismiss, or to tune out altogether, even if you're actively participating in it.

I've always walked around with the sense that the world is not a safe place. I didn't get the spontaneous gene or the adventure one, really. After going through the day with its stresses, when I shut that door at night, I don't have to deal with anything but dinner, 'E.R.' and my bathrobe.

Desires collide; the wish to eat bumping up against the wish to be thin, the desire to indulge conflicting with the injunction to restrain. Small wonder food makes a woman nervous.

Around the time I began starving, in the early eighties, the visual image had begun to supplant text as culture's primary mode of communication, a radical change because images work so differently than words: They're immediate, they hit you at levels way beneath intellect, they come fast and furious.