When I'm photographing, I think - like any rescue worker who deals with tragedy - you have to have some protective barrier around your heart so you can do your job. You tend to have a delayed reaction to things. I feel things more deeply after I put the camera down.

I think a lot of times, especially for certain stories, photographers travel together for safety reasons, and they also invariably cross paths. But you could have 10 photographers shooting together in the same spot but capturing different images.

I think many times news organizations, whether it's for lack of resources or something else, cover the headlines and don't follow up, even though the story continues for the people living there - they can't leave. I think it's critical that they do these follow-up stories to realize that there is still suffering, and the need is dire.

In Haiti, it - people seemed - in my experience in Haiti, people are so open to photographs and journalism. And there doesn't seem to be the same sort of restrictions or wariness about the press that you would experience in Washington, for instance, on many levels.

It's amazing what the Internet can teach you to do.

I've tried digital planners and fancy planners and date books galore, but my tried and true is actually just a large spiral-bound notebook.

Unlike painting, sculpture, or music, typefaces must be useful to someone. Fortunately for designers, the digital age has produced new problems to solve - developing typefaces that work on mobile phones, for one - and enabled better solutions to old problems.

If you're not careful, the Internet will gobble up your entire life.