I don't think the woman in French 'Vogue' was an object. She was always a real woman.

When you're editor-in-chief of a big magazine, you cannot be a cover girl for MAC; you cannot be the face of Givenchy - of course you can't; it's doesn't go with the job.

I'm still like a butterfly going from one job to another job. But it's quite lovely - I hope to keep this freedom, to have fun.

You can't put yourself into competition with a magazine like 'Vogue.' You have to create something new, something different.

When I've had hard times in my life, the one thing about being in TV is that it's positive. I withdrew to 'Cheers,' it was familiar in that it was family. It had a kind of realistic positiveness to it.

Rich, smart parents tend to have rich, smart kids - not because it's genetic but because they can create a home environment and sensory stimulation that lower-income kids often don't get.

The family of my mother had a lot of money; the family of my father, nothing.

If we care about family stability, if we care about community stability, then we need fewer evictions.