When I was coming to terms with my sexuality, I often felt like I needed to seek out sanctuary outside of my house, and the library was the first place I went. It was a place that I could go and seek out information and look for answers to questions that maybe I was too afraid to ask another person.

When I wrote 'The Assistants,' I knew very much that I wanted to write about income inequality and student loan debt and the gender wage gap, but I wanted to put it in a really slick, fun package. That book ended up being described as a socially conscious novel in chick-lit clothing.

I wanted to write a book about two women falling in love that wasn't hinged on tragedy or that involved some horrible identity-based misfortune. I wanted to write a pretty standard romantic comedy where nobody dies, nobody gets hurt, nobody gets sick.

I certainly firsthand know and love people who didn't fall in love with a woman or didn't even realize they were attracted to women until much later in life, and I'm sure that's true for many men who find themselves attracted to men as well. It doesn't always happen in adolescence. And that experience is completely valid and OK.

I wanted a half-hour, single-camera comedy with a great lead where I could be No. 2 or 3 on the call sheet, and it was going to get on the air. Those were my criteria, and they sent me 'Cougar Town.' I read it and loved it.

Cooking allows you to have travels, adventures and journeys without going anywhere. The running joke between my partner and me is that I'm not really concerned about how long it takes, or how much I destroy the kitchen, because I just have such a good time doing it.

I even get tired performing standup, which is normally a low-impact exercise in futility but looks hard the way I do it. That's why I take a lot of breaks, often stopping in the middle of a joke to catch my breath, or blame the crowd for not laughing before the punchline.

Mysteries always have the potential for interesting connections between the elements. I'm also most interested in the relationship between the characters. As in 'Masterpiece,' I'm trying to create characters who not only are solving a mystery but are solving the riddle of their own personal relationships.