When I was coming to terms with my sexuality, I often felt like I needed to seek out sanctuary outside of my house, and the library was the first place I went. It was a place that I could go and seek out information and look for answers to questions that maybe I was too afraid to ask another person.

When I wrote 'The Assistants,' I knew very much that I wanted to write about income inequality and student loan debt and the gender wage gap, but I wanted to put it in a really slick, fun package. That book ended up being described as a socially conscious novel in chick-lit clothing.

I wanted to write a book about two women falling in love that wasn't hinged on tragedy or that involved some horrible identity-based misfortune. I wanted to write a pretty standard romantic comedy where nobody dies, nobody gets hurt, nobody gets sick.

I certainly firsthand know and love people who didn't fall in love with a woman or didn't even realize they were attracted to women until much later in life, and I'm sure that's true for many men who find themselves attracted to men as well. It doesn't always happen in adolescence. And that experience is completely valid and OK.

I always joke that they're all like my children, so I love them all, but I would be lying if I didn't admit that 'Wonder Woman' has an affinity for me.

I don't like to bad-mouth other shows, but I was very disturbed after seeing 'Starlight Express.' It had very little to do with musical comedy as I know it. It had to do with sound and spectacle and records and technology and amplification.

Everybody doesn't have to get every joke. People really appreciate not being condescended to.

I listen to a lot of podcasts, which are split down the middle between comedy and board game podcasts, and a couple of eclectic ones like 'The Dinner Party' from NPR, where they take an event that happened that week in history and give you a cocktail recipe inspired by it.