It's my job to make sure that the people I'm gonna team up with for my music see everything that I'm about: Put all my cards on the table and don't make them guess.

My general idea of the world is that I'm not different at all because I'm a girl. So I get blindsided sometimes because I forget that that's a thing.

Fans give me yellow things, and I think now what's really fun is, when anyone sees yellow now, they'll think of me. Now it's kind of like this self-fulfilling prophecy: Yellow things come to me.

I would like to be known for honest, relatable writing and stories that that are real. There's just this shift I think is happening in a lot of society right now where being your most real self, however embarrassing or vulnerable or weird that is, is the coolest. I feel like that's what Lena Dunham's about and Amy Schumer's about.

When I was a little boy, Marvin Hagler was my idol. He got no respect for most of his career. His fighting style was straight ahead. He took every shot thrown at him, and he kept punching back 'til he won. I honestly feel that's how I am. I take big shots from people. But I keep going.

One thing I've learned about his business is this whole 'plan thing' - it doesn't work.

Early in my career, having many visible tattoos created obstacles and presented quite a challenge to move forward. I've heard comments like, 'actors don't have tattoos.' The notion of typecasting was a reoccurring theme despite my passion toward creativity and personal expression.

When I graduated from high school, my mom and dad were saying I needed to go to college, but I said I wanted to pursue my dream of acting. At the end of my high school career, they quit their jobs, and we moved out to California on a leap of faith.